The Difference Between Amateur and Proper Writers; And Why You Shouldn - Freewrite Store

The Difference Between Amateur and Proper Writers; And Why You Shouldn - Freewrite Store Commit to your new job. Let me paint you a picture, one of those bizarre scenarios, frisky tableaus, that slowly segues into the topic and theme of the title. Imagine a big, bawdy bar, with a barkeep of barreled brawn, brined brains, and bedeviled behavior. A sprawling dome sanctified by the Gods, christened by Baco and sponsored by the good folks at Guinness†¦ in other words, a pub. A proper (we only serve booze) pub. Now, take that majestic construct and catapult it 100 years into the future, and since we are already breaking the space-time-continuum let’s shatter this flimsy facade called logic - and cement its pillars on one of the heaven’s marshmallow clouds. â€Å"The Cloud Nine† pub in the sky. There’s a marquee on the brick side by the petunias: â€Å"Jesus once came here for a pint.† Inside our celestial haberdashery, patrons dance, dames frolic, and inebriates fight and fess-up. In one corner, Oscar Wilde and Lord Byron are playing footsies under the table. By the jar of pickled eggs, Hemingway is displaying his legendary attitude towards liquor. By the door, giving a rousing and confusing speech on wordplay, Shakespeare. Tolstoy and Marx dip their wet fingers on a pile of salt, trying desperately to hoover the last crumbs of peanuts. Throughout all this madcap, watermark fandango of insanity, a conga line has formed: Maya Angelou, Charlotte Bronte, and Virginia Woolf do the cha-cha-cha while Austen and Christie follow with a brilliant rendition of the chicken dance. The lit cream of yesteryear rubbing shoulders and other naughty parts. The night carries on, sooner or later Karaoke comes into play and bonds are forged mid-way through â€Å"Bohemian Rhapsody†;even Poe manages a smile. Then Twain, that rascal that he is, poses a question:    â€Å"When is a writer no longer an amateur, but a professional?†    Noggins and cookies start boiling. Fitzgerald drools on the virtues of speaking from experience. Lovecraft gives a fairly decent argument towards making pacts with Old Ones. Hemingway zig-zags into a yarn about fishing, while Woody Allen tries to hit on the waitress. On and on they ping-pong the question around the room. Some manage to hit the ball, others evade it, preferring to occupy their minds with the physics of lager. Up and down, hours and hours, the philosophical item is examined; no real answer reached, no consensus patted down. Then, just before the rooster is about to call it a night, a voice is heard among the revelry:    â€Å"Oh, that’s without a doubt the easiest question out there.†    Everybody turns, eyes adjusting in the gloom and rum haze. Sitting on a stool, right next to a Pac-Man machine and flicking through a jukebox’s selection of Golden Oldies, the man himself†¦ Mister Stephen King.    â€Å"Like I said, you turnip heads, there’s a simple answer.† He takes a sip of his coke. â€Å"A writer is truly a professional writer, the minute, nay, the second he gets PAID. A check for something you’ve written instantly grants you pro-writer status. Easy peasy lemon squeezy.†    Mouths catching flies, everybody stares at the horror master, knowing full well that that Gordian Knot of a riddle had been sliced in two and packaged away with alacrity.    â€Å"OK,†goes Twain â€Å"Let me re-frame the question: when do you pass from being a mediocre writer aproper writer?†    Stephen King gets up, understanding that the wordsmith has him by the furry bits The man, having just read â€Å"50 Shades of Grey†, his belief in the power of humankind and the essence of his craft shaken to the very foundation, simply walks off. So, the conundrum still stands: when is a writer a proper writer?As a published author, I’m going to toss my two-cents into that fountain and hope they don’t get lost among the treasured detritus of others. In my opinion, a writer becomes what he is meant to be the second he stops measuring himself up to others of his profession. The second you manage to tie down your voice, tone and make it your own, without trying to copy someone else’s beats, that’s the minute you are a professional. That’s the minute you become something truly unique and irreplaceable.    â€Å"But,† you ask â€Å"How do I get to that point?†    It’s not easy, so here are a few tips: Commit to your new job. Writing, penning out articles, manuscripts, stories, poems, scripts, and all other wordy fragments of wisdom or sheer entertainment is a full-time, 24/7 task. There’s a lot of talk going around town about the power of visualization; I’m here to tell you that’s just nothing short of Hocus Pocus. In reality, you can visualize all you like. Buy the hipster hat, the flowing scarf and talk like a lofty SOB at your next family get together. Do the whole fandango and tango†¦ You’re still not a writer. Imagine as many unicorns and pie-in-the-sky ideas as your greedy little brain will allow, at the end of the day you’ll still find yourself at the stable wondering why your horse can’t fly or who stole his magical horn. The only way to become a writer is to sit down and put in the work. Plant your rear on a seat, or couch, snatch your tools and scribble ‘til you hit gold or have something worth publishing.    â€Å"What about the muse?†    Poppycock! My advice is to grab those Grecian mistresses and take them out back; two shots to the back of the skull for each. Neil Gaiman and Larry Correia will help you hide the bodies while Hemingway mops up the blood. The truth of the matter is that some days you’ll get up in the morning, slug your way to your laptop and discover that fiend writer’s block sitting on the ledge of your table. The specter is pointing out your worthlessness and handing out wanted ads; circled in crimson: â€Å"full-time accountant, great pay.† Before you log on and give Facebook a chance, open up your word-processor and freaking write. Maybe, after four hours of clacking away, you’ll have a sentence or two worth a lick.    A professional writer writes until his ass is raw and his fingers bleed. An amateur writer dabbles with his computer as long as there is nothing good on the television. A structured existence. Let’s build a bridge between the island up above and this grassy archipelago. It’s time to set down rules, to set down goals and lay the foundations that will eventually make you a professional writer. Hacking away at your diary isn’t, unless you’re Anne Frank, professional writing. Every great or at least successful writer has a process. Stephen King reads four hours a day and writes for another four. Dan Brown wakes up at the crack of dawn, stretches and then works until noon. Janet Evanovich finger-dances across the keyboard in the morning and edits at night. Carl Hiassen faces his desk against a blank wall and snaps on shooting-range earmuffs against his head. Hemingway strolled to the nearest bar, sat down and jotted down 500 words, celebrating each victory at the end with a stiff drink. Every single one of them, like Rowling at a coffee shop in Edinburg staring at a cemetery, had their magic recipe. And, unlike any thaumaturgical hootenanny, their â €Å"IT† wasn’t based on a virgin’s blood and a Saint’s holy tears; it was grounded on a businesslike attitude, by the numbers, by appreciation of their skill set. It’s all about discipline, especially when you don’t have a boss riding your ass. Establish a passable set of rules to live by; that’s the Golden Ratio. This is a nine-to-five job; you clock in, you clock out. You need a space for yourself, especially if you are working at home. Otherwise your novel will be slowly devoured and digested by those rugrats you call offsprings. You need to mark down daily goals and, even if you have to go over time, fulfill them.    A pro will edge at least 500 words a day. She’ll dip her arm into a fiery pit, 500 times, just to get those words out. She’ll wake up every day, forget her family exists, juggle divorce like a pro and become a statue in her office ‘til she hits the mark. An amateur will wake up whenever she feels like it, take her time with her coffee, play with her kids, talk to her partner and, finally, scratch out twenty words and say the day was productive. Sharpen your tools. I’m going to step into a Stargate and zoom our narrative into another whimsical dimension. Did you know that Eric Clapton became Eric â€Å"Oh dear lord Layla is the bomb† Clapton after hearing and jamming with Jimi Hendrix? Did you know the Bob â€Å"I just won a Nobel Prize† Dylan purposely bought a house close to Tom Petty, Roy Orbison, and George Harrison? There’s a reason why there was The Police, before Sting. Why Don Henley needed that adrenaline shot known as the Eagles. Why Lennon needed Paul, George, and Ringo. There’s a time in every artist’s life when the chords, the beat, the rhythm, the skills are all learned and mastered; you can either stagnate or take it to the next level. If you’re not a music lover, then let’s flip that analogy onto another field†¦ snatch your boxing gloves and go beat up someone better than you. One of the keys to being a legendary artist is to know you are part of a community. You have to purge that misconception that art is a lone wolf’s hunt. Nope, DiCaprio became an Oscar winner thanks to Scorsese. Hemingway earned his legendary status on account of Gertrude Stein. Frankenstein was penned thanks to an oddball weekend with Lord Byron, Percy Shelley and John Polidori in Switzerland. Talent is partly like an STD. It’s more contagious than syphilis, and some of your peers are so infected with it that you’re liable to catch it by mere osmosis. Surround yourself with people in your neck of the woods. People that appreciate your craft and actually dabble in it. Think about the mid 20s and roaring 30s, or the Beatnik movement, or SoHo London; flash back to those rocking times. Everybody was doodling everybody. Post-coital carnal caper chats ensued on the craft recipe of the day. Pores sweaty, salty and open, your soul as bare and naked as the rest of you. Your mind lathered and frothed by livid libations and popping endorphins. A sultry poetista whispering Keats into your ears; the primordial soup in which creativity is stewed and prepared. Or, if you’re a bit square, the following Open Sesame phrase will win over any writer: â€Å"let me buy you a beer!†If you toss in some Wild Turkey, we will allow you to pump us for as much info as you want.    A pro will, after getting up at the crack of dawn, crawl his way into an avant-garde play at midnight. He will wallow past the existential dingus, toast with his artsy friends at 3 AM, decline a snort of Peruvian moon dust at 5 AM, get an UBER at 6 and start the day on Red Bull just to start writing again. He’ll do that and more just to bathe and float in creative juices. An Amateur will call it a day at 4 and switch on the ballgame. Know your genre. Every platform has guidelines. You can break them, you can go all Gonzo on Journalism, but first, you have to conquer them. Once you have them down to a science, once you can build your rifle with your tongue while blindfolded and barking like a loon, only then can you defenestrate those pesky commandments and dash them against the rocks. Genres have tropes, they have verified axioms that somehow still manage - in many cases - to seem original. For example, in mythology - and most Marvel and DC movies - the age-old Hero’s Journey is the archetype; Campbell’s 17 stages, the playbook Batman was built on. In hard-edge journalism, the â€Å"Five W’s† are the linchpin of any piece. Analyze your sandbox. Take it apart and put each grain of dust under the microscope. Want to Tolkien your way to the top of the fantasy aisle? Then you better have your world-building criteria down on paper. There’s a reason why publishers search for word counts for each genre . Why Westerns shouldn’t be more than 65k words; why Horror has to be at least 100k; why Game of Thrones is considered a hostile mallet in certain New York City boroughs. Here’s another example with the same sentence done and tweaked for different schools of thoughts.    â€Å"It was twilight, five minutes past 6 in New Jersey when†¦Ã¢â‚¬  Journalism.    â€Å"In the Kingdom the sun had dipped below the marbled turrets, bronzing the golden crest when†¦Ã¢â‚¬  Fantasy.    â€Å"A crisp and sharp wind bit into John’s cheek. Night was fast approaching, his instincts coming full force with it†¦Ã¢â‚¬  Action.    â€Å"The sun decided to call it a day. Happy Hour was starting up just to thewest, and that flaming ball of gas needed some Sake, Geisha Hanky-Panky and, oddly enough, a dose of Sumo†¦Ã¢â‚¬  Comedy.    â€Å"A funeral shroud clawed its way pass the horizon, digging its long bloody talons into the last rays of light that clung to the day. A Halloween orange snapped just past the emerald mountains, scatting for a second the landscape in a multicolored afterglow. Then, in a flash and with the same feral ferocity, bewilderingintensity, and vivid violence it disappeared into the ether. With it, all sense of safety was snuffed out. A Stygian wave rolled over the street; pulling in all sights and sounds into its ravenous event horizon†¦Ã¢â‚¬  Horror.    A Pro will hit her head against the head, for an hour, just to catch that word - that perfect word - that’s dangling at the tip of her tongue. She’ll study and read every great book published in her genre before daring to approach that theme. She’ll take months penning that perfect book or article. An Amateur will hook from the pond whatever word comes swimming by and stitch it onto his pieces just to be done with it. She’ll ask herself: â€Å"Why not just say the clown is scary and be done with it† when discussing IT with her friends. Tips from this side of the table. Here are some Golden Rules that truly construct pieces worth printing. Rethink every adverb you place in your text. Anything that ends with â€Å"ly.† The trick to good storytelling is to show and let your audience infer. How was he â€Å"calmly† walking to the gallows? Be mindful of alliterations. They work great in comedy, but might sound funky in other genres. Grammar, in fiction - especially in horror - is flexible. This is paramount when placing your commas, periods and semicolons. Every paragraph has a beat and rhythm; you’re the artist, you build. Then Edit some more. Dean Koontz, for example, will edit each page to death before starting to write another one. It helps to get everything into perspective and, if you’re playing with a novel, it slices the task into digestible sections. Get a thesaurus and learn some odd words. Each genre has a formula, a dictionary to it, get cracking and know your theater’s vocabulary. H.P. Lovecraft used to trudge around, constantly searching for bizarre and arcane words to fill his manuscripts with. Read like a madman. And, when you are not reading, get some audio books. Before shipping and closing the chapter on anything, read it out loud. There’s a reason why storytellers were so adored back in olden days before the printing press. Your phrases or sentences have to hit the ear just right. Critics are right monstrous Unfortunately, they are also your best friends. Before you publish anything, pass it around. Start by copying some of your favorite author’s tone and pattern, learn from them. Slowly start molding them to your frame of mind. You have to mature and nurture your unique voice, but before that happens that fertile egg has to be inseminated†¦ so pick a proper genetic input. And finally, and most importantly, get someone to bankroll you. If you’re getting paid for it, then you’re a writer. Money in the bank, despite what the critics say, is the bar you have to measure yourself against.

Editorial Essay High Persuasive School

Editorial Essay High Persuasive School Editorial Essay High Persuasive School Editorial Essay High Persuasive School: Cope with It with Our Help Editorial essay high persuasive school is rather difficult task to be completed without having professional assistance while writing; that is why if you have received a task to write editorial essay high persuasive school and you are puzzled with this task, we are waiting for you at our custom writing site to give you professional help. Editorial essay high persuasive school presupposes from you presenting your own ideas on the subject of your essay writing; rewriting someones thoughts is considered to be plagiarism and is strictly punished by professors. That is why all the thoughts you are going to present in your editorial essay high persuasive school should be unique ones. However, it is not enough only to share your opinion with the readers; in order to succeed in editorial essay high persuasive school writing, you have to persuade the readers that your point of view is relevant one. Solid arguments and evidence are those to help you in your editorial essay high persuasive school writing: Editorial Essay Needs Strong Arguments Sometimes it becomes rather difficult to present solid arguments in favor or against some thought, which will be able to convince the readers; that is the main problem students face while trying to cope with their editorial essay high persuasive school writing. If you are going to suffer from the same difficulties while trying to write your editorial essay high persuasive school, or if you are going to have some other problems with your writing, you are welcome to make use of our custom writing site, where you are going to receive professional consultation and immediate help with any problem you have. We offer a full range of servicing to our customers from creating captivating editorial essay high persuasive school and supporting with creative ideas to writing editorial essay high persuasive school for you or editing your own writings. Our team consists of highly qualified specialists with years of experience that is why all the works we deliver to our customers are brilliant writings, which are awarded A+ grades. Do You Need Help With Editorial Essays? That is why if you need help with editorial essay high persuasive school you are welcome to get it at our custom writing site and for rather a moderate price, which is also considered to be one of the advantages our servicing offers to our customers. It is really simple to get rid of problems with editorial essay high persuasive school writing with our help. Read also: Draft Essay Rough College Essay Editing Pay For Essay Need a Professional Essay Help Assignment

Laudable, culpable and non-culpable decisions Essay

Laudable, culpable and non-culpable decisions - Essay Example This research aims to evaluate and present laudable, culpable and non-culpable decisions. Laudable decision: BAES made an initiative to hire Lood Woolf to have an independent and irreproachable investigation into its ethical practices as a business and to identify areas of improvement where its dealings as a business entity can be improved. Despite of all the unscrupulous dealings of BAES, its decision to have an independent panel of investigators to be headed by Lord Woolf that would inquire into BAES ethical standards was laudable. This initiative yielded positive results in identifying which ethical practices needs improvement and produced a recommendation on how to improve it. Lord Woolf himself practiced ethical propriety in setting the parameters of his investigation. Agreeing to investigate cases which are also conducted by SFO would be tantamount into meddling in the investigation by the authorities and thus, would be ethically inappropriate. Non-culpable decision: In January , 1997, the chief executive officer (CEO) of British Aerospace (BAe), backed Tony Blair to become Prime Minister of the UK. Many business leaders did the same. Although it is not illegal for a business entity to support a politician vying for office, it is deemed inappropriate to back somebody with the expectation of business gains in the future. Though it was not tacitly expressed in the case that BAES solicited for business favours when Tony Blair became the Prime Minister of UK, it was implied that he was returning favours to BAES when acted like a salesman for BAES in trying to persuade the Czech Republic Gripen fighter jets, worth $1bn. No immediately harm was done with BAES’s political support to the candidacy of Tony Blair, but the political gratuity extended by Tony Blair leading to BAES unethical and controversial business practices tainted UK’s defence industry. Culpable decisions Blameworthy Context In 2001, Tanzania paid to BAES $21 million for a military a ir traffic control (ATC) system that came from debt that was supposed to be spent on Tanzanian education. This decision of Tanzanian President Benjamin Mpaka to purchase an overpriced (at least four times more expensive than civilian radar) air traffic control (ATC) system which was disbursed from a fund that was supposed to be spent on Tanzanian education was most blameworthy. BAES used Shailesh Vithlani, a â€Å"marketing adviser† to secure a a ?28m Air Traffic Control radar which was four times more expensive than a civilian radar). Payments to Vithlani were routed through Red Diamong Trading (RDT), a shell company based offshore in the British Virgin Islands (BVI). It would be naive not to have the â€Å"obvious inference† that some of the money Vithlani got was used to bribe Tanzanian officials. 2. Outlining standard ways to place blame and respond to it, interpret any defensive utterances by the culprits (and their supporters); and interpret their critics’ (and victims’) utterances Outcome related disappointments/blame-ORD Person/relationship-related disappointment – PRD ORD + PRD (any utterances expressing both) Utterance: Mr Turner said: â€Å"we are fully complying with all the SFO’s requests. We are acting in a responsible and dignified way and we are very proud of this company. We think it is unfair and unjust that our reputation is being affected.† Interpretation: BAES is bluffing that they are an ethical company and is offended with the decision of SFO to investigate their company. Utterance: Mike Turner said: â€Å"we want to be in a position to provide customers, investors, employees and communities [with] further assurance that our policies, ethics and business conduct are subject to continuous improvement and set the pace for the international defence industry.† Interpretation: It is just a PR utterance that BAES does not really mean to say considering their actual

Biology 2 (plant and society)a Assignment Example | Topics and Well Written Essays - 750 words

Biology 2 (plant and society)a - Assignment Example He discusses the totality of relevant aspects to undertaking this endeavor, from processing, and preparing the palm starch, how to transport and package it, and the organization of its distribution and production. The overall interpretations determined that the process of extraction, processing, and transport of the palm starch is a complex and involved. A process they may be performed differently dependent upon the culture, beliefs, and tools often used. 2)Is this an interdisciplinary study? Explain your answer. Yes, I would conclude that this is an entirely interdisciplinary endeavor. The research delves into botany, geography, biology, sociology, and ecology are all a part of the overall scope of all the elements needed. The extraction, packaging, and processing in multi-ethnic, multicultural areas could never be anything but an interdisciplinary project. 3)Why is the number of structural components of the extraction apparatus not necessarily a gauge of the complexity or efficienc y of the process? It can be extrapolated that the technology and physical equipment used in the process necessary to extract and process the palm starch is difficult to gauge its efficiency due a consistence of varying conditions. Simply meaning the environment, culture, and nature of where the extraction is being done may differ from one location to another. The hand press apparatus described uses, at least, 21 individual parts, which may increase to as many as 50-60 parts depending entirely on the number of troughs and conduits present. Who operates the apparatus, how often it is done, and in what manner the individuals operating the apparatus, and the whole of the extraction process, may differ entirely from another, dependent upon a number of social and cultural factors. Therefore, it can be harder to determine a single standard of total efficiency. 4)What basic principles had to have been known to develop the technology? In order to undertake such an endeavor it was necessary f or those involved to be aware of a many number of things. They would need to be aware of the local ecologies, but, also, the cultural and social values of the peoples that reside there. They would also, need to be aware of the potential consequences of their endeavor on an environmental level. As stated before this endeavor is clearly interdisciplinary, in order to accomplish the project all consideration would need to be addressed. 5)Why would this method of starch extraction not be applicable to sugar extraction? Obtaining sugar from the starch of the sago palm would require a several hour process of hydrolysis; with water at a temperature of, approximately, 190 degrees, therefore the process used in extracting the starch specifically would not lend itself to extracting sugars. The water used during the starch extraction is cool water, not hot. This stands out as the primary reason that this process would not be beneficial for extracting sugar. 6)Examine the location of Seram (for merly Ceram) in an atlas. What was its role during the years of the spice trade? Ceram, as it was once referred, along with Halmahera and Buru, make-up the three large islands in eastern Indonesia called the Moluccas. The Moluccas were, also, called the â€Å"spice islands;† a title they earned for good reason. These islands were the origin of, both, nutmeg and clove. In the 1500s the island were colonized by the Portuguese, who

Meaning of life Essay Example for Free

Meaning of life Essay Existentialism as a philosophy is concerned with the meaning of our existence and the non- existence of a spiritual figure to mould our being. This philosophy was created as early the early 1900s, but mid 20th Century Philosophers Albert Camus and Jean Paul Sartre are seen as the fathers the movement. Existentialism can be seen as a major influence on the Theatre of the Absurd as it is uses theatrical effects in order to show the way in which man uses endless and futile ways to distract from the meaninglessness of his existence. Other themes that are evident in absurd plays are that of the devaluation of language and our entrapment in an Absurd existence. Devaluation of Language As characters who speak completely different languages, we are unable to communicate verbally and are forced to using gestures and appropriate sounds. The language barrier causes a lot of frustration and exhaustion and at many times conflict between our two characters because no matter how important or trivial the words that the person is saying- they serve no purpose as neither understands the other. After a short fight, my character begins to rant in her language, leaving Niina’s character confused and unsure of what to do. She then retreats back to her place on the opposite part of the ‘island’ whilst I continue to express my frustration. The space between us symbolises our aloneness at being able to communicate directly with each other. Entrapment in an Absurd Existence As two people who do not understand each other and are stranded on an island there is not much that can be done. As a means to fill our boredom my character started to hum a tune and was slowly but surely joined by my companion with a drum beat that she had added. Niina’s character who is very pessimistic comes to her senses and realises the meaninglessness of the entire exercise. This drives her to attempt to kill herself. An absurd existence is one which is full of meaningless distractions and once a person realises this they come into conflict with their existence and is driven towards two different choices: To free oneself from the meaninglessness- which Niina’s character attempted to do, or to hope for change or for the discovery of meaning like my character. We are adrift in a world devoid of purpose As our characters use diversions to avoid facing the meaninglessness of our lives, like how our two characters play a game to pass the time. But as time goes on, Niina’s character voices her frustration of the situation: that, having already been stranded for some time, we are not likely to be rescued. This presents the question of whether there is a point of living when there is neither future ahead nor purpose for you. This is another contributing reason as to why Niina’s character attempts to kill her self. My character has a different way of viewing this situation as she has held on to her faith to give her purpose. She has also found purpose in trying to keep her companion from killing herself. The island improvisation reflected the strong themes of Existentialism in Absurd Theatre through the staging of the conflict created between our two conflicting characters. Unable to linguistically understand each other, language as a tool of communication becomes useless and we are forced use a small game in order to distract ourselves from the reality of the situation and the meaninglessness of our existence on an island where we have no purpose. -

Wolfgang Amadeus Mozart Essay -- essays research papers fc

  Ã‚  Ã‚  Ã‚  Ã‚  Wolfgang Amadeus Mozart was a born child prodigy. He was Born in Salzburg in January 27 of 1756. He was the son of Leopold Mozart. He for years since his birth has he inspired and amazed people of all ages with his work. He was the greatest composer of his time.   Ã‚  Ã‚  Ã‚  Ã‚  As a child he showed musical gifts of a great magnitude. He composed minuets at the age of five and played for royals at the age of six. He and his sister, who was a gifted keyboard and clavier player, went on a tour around Paris and London away from their home in Austria. Mozart's father thought this would be a very profitable trip for their family.   Ã‚  Ã‚  Ã‚  Ã‚  On their tour, they went to Munich and Vienna to play a series of concerts. In that time, music could not be recorded in anyway but paper. So to hear music, either you had to learn a piece of music, or people would come to play it for you. Since music was so uncommon, it wasn't the cheapest. Unfortunately, most classes but the higher and royal class would not get to hear music very often. Music was a gift, not a privilege. Mozart and his family were part of the lower class so they had the gift of being able to play music and listen to music, but they only got to play for the higher classes.   Ã‚  Ã‚  Ã‚  Ã‚  Mozart did like the higher classes very much. He loved getting handmade suits that had to be the best clothes in the land. He liked it so much, every time he would receive one of the suits, he would go crazy with happiness and make a new piece of music. As much as he liked his music, he most probably liked his music more than people loved hearing him play, and everyone loved to hear him play.   Ã‚  Ã‚  Ã‚  Ã‚  While the family was in London, Amadeus's father grew ill. In those times once you got ill, recovering odds were against you. In his father's illness they moved to a village named Chelsea, near the Thames River. A little less than two months, the two children could not play their beloved music for it disturbing their father. The nine-year old Mozart needed something to do. This is when he conjured up the idea to compose their first symphony. It was called the Symphony in E-flat and is still performed today. The idea that a nine-year old composed a symphony is outrageous. Symphonies usually include at least eight instruments. ... ... last notes of The Magic Flute on September 29, 1791 and it premiered in Vienna on September 30, 1791 and it premiered in Vienna the very next day.   Ã‚  Ã‚  Ã‚  Ã‚  He could not enjoy the success of his new opera. Mozart collapsed from exhaustion after the premiere and his illness grew more serious. Death was near. During his final days, he was visited by a stranger who commissioned him to compose a Requiem Mass. In his deteriorating state, Mozart began to believe that the stranger was a messenger from heaven who came to give notice of his approaching end and that the Requiem was for himself. The mysterious visitor was actually sent by Count Walsegg whose wife had just passed away. A musician of little skill and even less merit, he intended to claim the work as his own to impress his friends.   Ã‚  Ã‚  Ã‚  Ã‚  Mozart died on December 5, 1791, before he could complete the Requiem. This phenomenal genius, so rich in talent, died a poor man at only thirty-five years of age. On the way to his final resting place, a storm rose and all of his friends retreated. Only his faithful dog watched his master fade away into his last Requiem. (bibliography not found)

Whole Food

Industry Analysis Dominant Industry Characteristics Since going public in 1991, Whole Foods has focused on acquiring other small owner-managed natural and organic food stores as well as opening new stores of their own. However in 2002-2006, they decided that instead of making acquisitions, Whole Foods growth strategy would be based on opening new stores. Whole Foods chooses upscale, urban metropolitan areas to place their stores. These locations are high traffic shopping locations, some are freestanding, some are in strip centers, and some are in high-density mixed-use projects.By the end of 1991 fiscal year Whole Foods had 10 stores and by the end of 2007 they had 276 stores. By 2008, Whole Foods had stores in 36 states. The most important industry characteristic would be the market size and growth rate. â€Å"The combined sales of foods and beverages labeled as ‘natural' or organic – about 62 billion in 2007 – represented about 7. 3 percent of the roughly 850 b illion in total U. S. grocery store sales. † 7. 3 percent of 850 billion total grocery store sales seem like a small number for a large market but the market is still growing. According to the Organic Consumers Association, sales of organic foods in the United States hit 17 billion in 2006, up 22 percent from 13. 8 billion in 2005. When natural foods and beverages (defined narrowly as those with no artificial ingredients) were lumped in with organic foods and beverages, the U. S. retail sales total came to 28. 2 billion in 2006, up from 23 billion in 2005. † All this information is a brief explanation on the industry's position and the product life cycle.By 2008 organic foods and beverages were available in nearly every food category and were available in over 75 percent of U. S. grocery stores. These numbers show that industry is most certainly in rapid growth concerning sales. Offering organic and natural food at most grocery stores other than specialty stores also sho ws growth. â€Å"While only about 1 percent of U. S. farmland was certified organic in 2005, farmers were becoming increasingly interested in and attracted to organic farming, chiefly because of the substantially higher prices they ould get for organically grown fruits, vegetables, and meat†. This shows that the industry is still in early development because farmers that are not growing organic crops are becoming interested and attracted to organic farming. Being able to charge a higher price and bring in more profit is an eye opener and it encourages farmers to start organic farming. Another industry characteristic in the organic and natural food industry is number of rivals.An important industry driving force is marketing innovations. â€Å"In October 2002 the U. S. Department Agriculture (USDA) officially established labeling standards for organic products, overriding both the patchwork of inconsistent state regulations for what could be labeled as organic and the differe nt rules of some 43 agencies for certifying organic products. † By establishing labeling standards for organic products concerning what could be called organic insures that people are receiving pure organic products. The new labeling program was not intended as a healthy or safety program (organic products have not been shown to be more nutritious than conventionally grown products, according to the American Dietetic Association), but rather as marketing solution. † By creating stricter standards it made it harder for growers, processors, exporters, importers, shippers and merchants to prove that their product were truly organic because they are required to provide a documentation verifying that they are certify to grow, process and handle organic products.With the issue of obesity becoming a bigger and bigger issue in our country, people are taking more interest of their personal health. Many companies are trying to appeal to that population by making health changes to their products such as eliminating the use of MSG. To reduce the risk of obesity in children many schools are also making changes to their daily lunch menus such as cutting out carbonated beverages and providing the students with healthier menu choices. Food Network stars such as Rachael Ray are also aware societies growing desire to eat healthier food so they trying to express this to their viewers.All of these examples reflect changing societal concerns, attitudes, and lifestyles. The new labeling system was not intended as a health or safety program but that is exactly what it is becoming. The association between natural and organic meant that it is safe to eat since these products are being held at a higher standard. Because of societal concerns there is a change in who buys the product and how they use it. For example more people are trying organic or natural food as a substitution to products that could be considered unhealthy. Instead of purchasing carbonated beverages consum ers are trying different type of flavored water and teasIndustry Key Success FacDue to the growth of natural and organic food industry, the products are becoming more easily accessible. By making the products more easily accessible the industry is finding that consumers want more knowledge on the product features and benefits. One marketing key success factor would be courteous, personalized customer service. â€Å"Whole Food spent about 0. 5 percent of its revenues on advertising, a much smaller percentage than conventional supermarkets, preferring instead to rely primarily on word-of-mouth recommendations and testimonials from customers. Employees at Whole Foods stores take pride in being knowledgeable of their product and are eager to provide excellence customer care. Having good customer relations helps them build clientele. Whole Foods also ensures that each department is staffed with an employee that is knowledgeable about their products and always ready to answer customer co ncerns and give feedback on the products. To provide excellence customer care they offer personal attention in every department in the store and when customers asked where an item was located, team members would often take them to the spot.The team members are quite knowledgeable and enthusiastic about their products and they take advantage of opportunities to inform and educate customers about natural and organic foods. Another success factor would be a talented workforce. Having team members that are skilled and capable of providing information about their product to consumers is very important. There are a couple sources consumers can gain knowledge on natural and organic foods and they are; the store, the internet and their peers.Information found on the internet is usually not reliable because anyone can post anything on there. Even though a blog or website might be dedicated to the industry it is still not reliable because the information on there can be written by anyone. Inf ormation from your friends and family may or may not be reliable. Since the industry is still growing it might be a challenge for new customers to find someone to give them information and feedback on a particular product. This leaves consumers relying on the stores to give reliable knowledge on a product.

Aliens Existence

Aliens Existence This is a never ending debate. Do aliens really exist? Does anyone have proof that aliens exist? If they do, why can’t we spot them with the help of our space instruments? Why don’t they fly down to our planet as we do to theirs? The questions keep boggling minds of kids and adults alike. But the truth remains that aliens do really exist. There are simply established facts and reported incidents, some even with videos, with proof that aliens really exist.Yes, aliens do exist, but there is some clarification that must come first before concerning what you mean by aliens. Aliens do exist and if we want a wide interpretation of the word alien, including all living consciousness that are not us, not residing near us or of the same grouping as ourself, then we would open a Pandora's Box and this argument would need to be as long as an entire book. Everything you perceive from earth, rocks, insects, trees, flowers and humans is composed of living consciousnes s, not of course of our same level of comprehension, but living matter nevertheless.Fortunately we know what we mean when we talk of aliens, so other than to say that the experience of even animals is so different that they could almost be classified as aliens to our world, and it is amazing that we can co-exist as well as we do. So we will not include other living consciousness less than our own or that we do not perceive, but try to limit our explanation to similar types of living beings that we would like to sit down with and enjoy conversation and a cup of coffee.We will not be considering animals here either or any of the countless realities that swirl through, around close to our own physical earth. We cannot perceive them, but that doesn't mean that they don't exist, and quite as real as our earth. (Meagher) This subject covers so much ground that the best we can do is scratch the surface. I think one of the great ironies of our civilization at this stage of its development i s the question â€Å"Are we alone? â€Å", since we are not even alone on our own planet, but we will never meet an alien walking down the street, tip your hat and say â€Å"have a good day sir†.I hope we get the inference here that all aliens are not materialized in the same way we are, and the general rule is that we only see our own kind. Why is this? It is because our perceptions are highly tuned to create (form) reality along certain lines, within certain highly specialized fields, and then to perceive what we have created that falls within those specific parameters. Other realities that have been created by others not like us, but just as valid, will be totally out of our range of perception, so to speak, and in physical terms, we will never be able to perceive them.That does not mean that we will forever be unable to communicate with them, and as our abilities grow, we will learn to use inner communications to contact other civilizations that we would otherwise be un able to sense using your physical perceptions. There are literally countless physical and non-physical realities with beings at least equal to or more advanced than our own, swirling around, through and near our dear planet earth and we will never rub shoulders with them. They are as real as we are to our own kind, but to us they have no substance, seem to lack physical structure, and will remain invisible.They utilize the same properties of the earth as we do, but to them, (Allan)our constructions do not exist. They will never bump into a pyramid or an empire state building, yet they might indeed walk through them, and we walk through their constructions every day. (Allan) Needless to say, there are countless realities that have no need for physical form and exist in what could only at this time be likened to our dream reality and of course, their experience, value satisfactions and growth is not dependent on atomic structure to the extent ours is.They do not need a planet or a sta r to exist and could actually exist in what we would call empty space. Of course, to them, the space would not be empty at all, but filled with a different kind of psychic constructions, a reality, quite as real as our own. In our universe, there are countless systems of reality, and physical systems are not the norm. The most advanced entities and their home systems are not physical at all and the need for physical expression decreases as the inhabitants of any plane evolve and progress.The highest entities do not occupy physical systems, although they and others like themselves have created many systems, worlds and universes, even though they evolved from other systems and never experienced physical reality. Now here is what you really want to know. There are what we could call â€Å"parallel realities†, that have originated within the same overall universal camouflage system as ours, gone on to other planets in your solar system and universe and do have the ability to trav el through our same space, utilizing technologies far superior to anything we may now envision.These beings by the sheer nature of their advanced technologies do have the ability to traverse the immense distances required to reach other inhabited planets. Their technologies and advanced understanding of the true nature of the universe, allow them to take shortcuts to their destinations. Space is not really what it looks like to us and others see through the illusion and can penetrate space in ways that are difficult to explain. Space and all it seems to contain is simply your interpretation of available fields of energy that you mentally configure into something that makes sense to us. Meagher) It is fascinating to watch human behavior that continues to be egocentric. Why else would they keep on debating the issue of proof that aliens exist, when they have hard core proof in their hands? Extra-terrestrials or aliens have been given a kind of artistic figure by Hollywood movies and w e believe that if aliens exist, they would look like that. But question remains, what if aliens exist in any other form than the physical entity like ours? How do we then find proof that aliens exist?The Universe is huge and to give proof that aliens exist would be no small a matter. Yet we have proof that aliens exist in real. A flying disc was seen once by pilots, crew members and many other people standing at Chicago O’Hare Airport in November 2006. This story was brought out on CNN and this is one undeniable proof that aliens exist. Works Cited Allan, William. â€Å"Do Aliens Really Exist? † Platinum Author 8 August 2008. Meagher, L. D. â€Å"Review Confirmation. † 29 July 1998. Aliens Existence Aliens Existence This is a never ending debate. Do aliens really exist? Does anyone have proof that aliens exist? If they do, why can’t we spot them with the help of our space instruments? Why don’t they fly down to our planet as we do to theirs? The questions keep boggling minds of kids and adults alike. But the truth remains that aliens do really exist. There are simply established facts and reported incidents, some even with videos, with proof that aliens really exist.Yes, aliens do exist, but there is some clarification that must come first before concerning what you mean by aliens. Aliens do exist and if we want a wide interpretation of the word alien, including all living consciousness that are not us, not residing near us or of the same grouping as ourself, then we would open a Pandora's Box and this argument would need to be as long as an entire book. Everything you perceive from earth, rocks, insects, trees, flowers and humans is composed of living consciousnes s, not of course of our same level of comprehension, but living matter nevertheless.Fortunately we know what we mean when we talk of aliens, so other than to say that the experience of even animals is so different that they could almost be classified as aliens to our world, and it is amazing that we can co-exist as well as we do. So we will not include other living consciousness less than our own or that we do not perceive, but try to limit our explanation to similar types of living beings that we would like to sit down with and enjoy conversation and a cup of coffee.We will not be considering animals here either or any of the countless realities that swirl through, around close to our own physical earth. We cannot perceive them, but that doesn't mean that they don't exist, and quite as real as our earth. (Meagher) This subject covers so much ground that the best we can do is scratch the surface. I think one of the great ironies of our civilization at this stage of its development i s the question â€Å"Are we alone? â€Å", since we are not even alone on our own planet, but we will never meet an alien walking down the street, tip your hat and say â€Å"have a good day sir†.I hope we get the inference here that all aliens are not materialized in the same way we are, and the general rule is that we only see our own kind. Why is this? It is because our perceptions are highly tuned to create (form) reality along certain lines, within certain highly specialized fields, and then to perceive what we have created that falls within those specific parameters. Other realities that have been created by others not like us, but just as valid, will be totally out of our range of perception, so to speak, and in physical terms, we will never be able to perceive them.That does not mean that we will forever be unable to communicate with them, and as our abilities grow, we will learn to use inner communications to contact other civilizations that we would otherwise be un able to sense using your physical perceptions. There are literally countless physical and non-physical realities with beings at least equal to or more advanced than our own, swirling around, through and near our dear planet earth and we will never rub shoulders with them. They are as real as we are to our own kind, but to us they have no substance, seem to lack physical structure, and will remain invisible.They utilize the same properties of the earth as we do, but to them, (Allan)our constructions do not exist. They will never bump into a pyramid or an empire state building, yet they might indeed walk through them, and we walk through their constructions every day. (Allan) Needless to say, there are countless realities that have no need for physical form and exist in what could only at this time be likened to our dream reality and of course, their experience, value satisfactions and growth is not dependent on atomic structure to the extent ours is.They do not need a planet or a sta r to exist and could actually exist in what we would call empty space. Of course, to them, the space would not be empty at all, but filled with a different kind of psychic constructions, a reality, quite as real as our own. In our universe, there are countless systems of reality, and physical systems are not the norm. The most advanced entities and their home systems are not physical at all and the need for physical expression decreases as the inhabitants of any plane evolve and progress.The highest entities do not occupy physical systems, although they and others like themselves have created many systems, worlds and universes, even though they evolved from other systems and never experienced physical reality. Now here is what you really want to know. There are what we could call â€Å"parallel realities†, that have originated within the same overall universal camouflage system as ours, gone on to other planets in your solar system and universe and do have the ability to trav el through our same space, utilizing technologies far superior to anything we may now envision.These beings by the sheer nature of their advanced technologies do have the ability to traverse the immense distances required to reach other inhabited planets. Their technologies and advanced understanding of the true nature of the universe, allow them to take shortcuts to their destinations. Space is not really what it looks like to us and others see through the illusion and can penetrate space in ways that are difficult to explain. Space and all it seems to contain is simply your interpretation of available fields of energy that you mentally configure into something that makes sense to us. Meagher) It is fascinating to watch human behavior that continues to be egocentric. Why else would they keep on debating the issue of proof that aliens exist, when they have hard core proof in their hands? Extra-terrestrials or aliens have been given a kind of artistic figure by Hollywood movies and w e believe that if aliens exist, they would look like that. But question remains, what if aliens exist in any other form than the physical entity like ours? How do we then find proof that aliens exist?The Universe is huge and to give proof that aliens exist would be no small a matter. Yet we have proof that aliens exist in real. A flying disc was seen once by pilots, crew members and many other people standing at Chicago O’Hare Airport in November 2006. This story was brought out on CNN and this is one undeniable proof that aliens exist. Works Cited Allan, William. â€Å"Do Aliens Really Exist? † Platinum Author 8 August 2008. Meagher, L. D. â€Å"Review Confirmation. † 29 July 1998.

Compare the Women’s Suffrage Movements of the United States and Great Britain for Their Effectiveness in Gaining Women the Right to Vote Essay Example

Compare the Women’s Suffrage Movements of the United States and Great Britain for Their Effectiveness in Gaining Women the Right to Vote Essay Example Compare the Women’s Suffrage Movements of the United States and Great Britain for Their Effectiveness in Gaining Women the Right to Vote Paper Compare the Women’s Suffrage Movements of the United States and Great Britain for Their Effectiveness in Gaining Women the Right to Vote Paper It is the turn of the century and more and more women in the United States and Great Britain were beginning to express their desires for the right to voice their opinions and cast their votes for who should govern and be in charge of their government. Switzerland had granted suffrage to women in 1971, while France, Germany, and Italy enfranchised women decades earlier (Abrams and Settle 292), and now it was time for the American and British women to join the suffrage movement as well. Thousands of women petitioned, lobbied, protested, demonstrated, and engaged in civil disobedience in order to gain their right to vote. Although the right to vote was referred to with different names (â€Å"suffrage† and â€Å"enfranchisement†), the movement had the same aims. Women in these countries were not being paid the same as men although they were doing the same work, there were laws discriminating against the female race, and women wanted to be heard. All of these reasons led to the notion of women to feel the need to have their voices heard in the government. The effectiveness of the movement and the success of the aims as a result of the women’s suffrage movement in America and Great Britain varied and will be discussed in this paper. The fight for the right to vote in America was referred to as the women’s suffrage movement, and it was led and organized by Elizabeth Cady Stanton, Lucretia Mott, and other â€Å"radical† female leaders. This movement was started in 1848 when the Convention of Seneca Falls was held in New York as the first women’s rights convention. At the Convention of Seneca Falls, Lucretia wrote a line in the Declaration of Sentiments calling for â€Å"the right [of women] to the elective franchise† (Winslow â€Å"Sisters†). The Civil War got in the way of the women’s suffrage movement for a couple years after it was initiated, but from 1976 to the turn of the century, women’s rights movements continued with campaigns, referendums, lobbying, etc. Because of this continuous, but delayed process, states such as Utah, Wyoming, and Colorado did grant women the right to vote, but it was a very gradual change. Also during this time, the National Women’s Suffrage Association (NWSA) pressed its claim for state and federal women’s suffrage amendments (Winslow â€Å"Sisters†). After 72 years of protest, lobbying, and fighting the women of the United States of America finally got the chance to vote by August 20 when 13 out of the 16 western states had already granted women full suffrage (McCammon and Campbell 55). Because the movement took so long to come into effect, some may argue that the movement was not as effective as the one in Great Britain, but it is true that it was definitely effective in the end. Of course it all worked out, because women finally got the chance to vote, and the 19th amendment only exists because of the women’s suffrage movement leaders and participants, but the aims of the movement were probably not achieved in the time frame desired. In Great Britain, the movement to gain women’s rights to vote was referred to as the enfranchisement movement. This movement began around 1866 when a group of leaders and reformers gathered around 1,500 women to sign a petition to send to Parliament asking for women’s rights to vote, it very similar to the Seneca Falls Convention (Winslow â€Å"Sisters†). There was a break in the movement from around 1807 to 1905, which is similar to the way the women’s suffrage movement in America had a break during the Civil War as well. During this time, nothing significant occured, and no one did anything extreme to gain the vote. The year of 1905 was when the enfranchisement movement started to actually make big gains. During this year, suffragettes made a break from sitting aside, and started using â€Å"militancy† and other violent techniques. The actions of British suffragettes involved blowing up mailboxes of government leaders, breaking windows, picketing, and harassment of anti-suffragist legislators. At first, the movement was not very effective because the suffragettes were seen as wild, uncontrollable women, and they were treated very roughly by the British patrol, but after the movement calmed down a little bit, and tactics used were less violent, public opinion was changed, and the government started to pay more attention to the suffragettes (â€Å"British†). The English women won limited suffrage in 1918, and in 1928, the majority of English women won the right to vote (Winslow â€Å"Sisters†). The women of the United States and of Great Britain used the many of the same tactics to gain the vote, but the women of Great Britain were much more radical. Even though the women of both countries had the same aim to gain suffrage and both countries had radical leaders of the movement that pushed the fight for the right to vote, their tactics varied in different ways. In both the U. S. nd in Great Britain suffragists used tactics such as boycotting, lobbying, protesting, and sending proposals and petitions to government leaders, but there are differences in the severity of each of the country’s groups’ tactics that led to a difference in the effectiveness of the movement. The women suffragists in America utilized civil disobedience, which was something not seen as much in Great Britain. Whereas the American suffragists were being civil and asking for suffrage in a somewhat polite manner, the suffragettes in Great Britain were utilizing mass militancy and violence. The actions of the women in Great Britain paralleled the tactics of those in America, but were extremely dangerous. The suffrage movement in America did take ten years longer than in Great Britain, so it can be said that the suffrage movement and tactics used in Great Britain were more effective than in the United States of America. Ultimately, both the suffrage movement in the United States and in Great Britain were successful, because without these movements, the women in the United States and Great Britain could possibly not have the right to vote to this day. The effectiveness of the suffrage movement in the U. S. and in Great Britain can be analyzed using their end result and the time it took for the aims to be succeeded. Although both movements were successful in achieving their aims, it took an extremely long time to do so. The United States had to withstand 72 years of protesting and campaigning in order to achieve their aims, while Great Britain had to go through around 62 years of even more extreme tactics. In conclusion, both movements were effective, but it can be said that these movements could have been even more so if they did not take so long to achieve their goals. Print Abrams, Burton, and Russell Settle. Womens Suffrage and the Growth of the Welfare State. Public Choice 100. 3/4 (1999): 289-300. Print. McCammon, Holly, and Karen Campbell. Winning the Vote in the West: The Political Successes of the Womens Suffrage Movements, 1866-1919. Gender and Society 15. 1 (2001): 55-82. Print. Online Winslow, Barbara. Sisters of Suffrage: British and American Women Fight for the Vote. The Gilder Lehrman Institute of American History. N. p. , n. d. Web. 27 Sept. 2012. . British Suffrage Movement. Edenbridge Town Ethics. N. p. , n. d. Web. 27 Sept. 2012. .

Writing Styles (with Examples)

Writing Styles (with Examples) Writing Styles (with Examples) Writing Styles (with Examples) By Ali Hale You’ve probably heard writers (or teachers, or critics) talk about â€Å"style† in writing. What exactly is style, though? It can be tough to pin down, because there are a variety of things we might be looking at when we talk about style. In most cases, though, style is about the individual word choices and the structure of sentences. While an author might have particular character-types that s/he tends to use, or a penchant for complicated plots, those things are usually considered on a different level from style. Two Examples of Style You can see style at work in even a short excerpt from a piece of writing. For instance, compare these two passages, which come from two websites’ â€Å"About† pages: We started innocent in 1999 after selling our smoothies at a music festival. We put up a big sign asking people if they thought we should give up our jobs to make smoothies, and put a bin saying Yes and a bin saying No in front of the stall. Then we got people to vote with their empties. At the end of the weekend, the Yes bin was full, so we resigned from our jobs the next day and got cracking. (From â€Å"us†, Innocent.) Established in 1981, Infosys is a NYSE listed global consulting and IT services company with more than 209,000 employees. From a capital of US$250, we have grown to become a US$11.12 billion (LTM Q1 FY19 revenues) company with a market capitalization of approximately US$ 42.4 billion. (From â€Å"About Us†, Infosys.) Both of these excerpts tell us about the respective companies’ beginnings. But they not only focus on different things (and as we’ll see in a minute, you can’t completely divorce content from style), they’re written in very different language. Formal vs Informal Style Even if we look at the first four words of each piece, we can see the difference in style: â€Å"We started innocent in† â€Å"Established in 1981, Infosys† We can tell that one of these passages will use a much more formal style than the other: â€Å"Started† is a simpler word than â€Å"established†; â€Å"innocent† doesn’t capitalise their name (a hallmark of very informal style); the innocent piece is in the first person (â€Å"we†) whereas the Infosys piece is in the third person (â€Å"Infosys†). Throughout the excerpts, the content is also quite different: innocent give us a story about how their company began, whereas Infosys focus on facts and figures. Tip: If you need to make your writing more informal, use shorter sentences, simpler words, and write as if you’re talking directly to the reader. To make your writing more formal, use more precise, complex words, as if you’re writing a company report. Formal vs informal is one way of looking at style – but there are plenty of other ways in which you might describe the style of a piece of writing. Concise vs Detailed Some writing is to-the-point: it gives information succinctly, and moves on. Other pieces are much more verbose – they tell a story, paint a scene, take their time. Neither style is â€Å"better† – they serve different purposes. A news report about a local incident – say, a lost child who was found unharmed – would be much shorter than a novel that deals with similar subject matter. Or compare a tweet on a particular topic with a blog post on the same topic: the tweet is much shorter than the blog post, but both might well be valuable in different ways. Tip: To be more concise, cut out extra details and unnecessary words. To expand a short piece, look for ways to give (relevant or interesting) detail, or offer a more nuanced perspective by looking at different angles on the topic. Commercial vs Literary In fiction, one major stylistic divide is between â€Å"literary† novels and â€Å"commercial† novels. As with formal vs informal, we could see this as a spectrum – with the most literary novels at one end, and the most commercial at the other end. Literary fiction places much more importance on writing style than commercial fiction, where the point of â€Å"style† is usually to get the story across as smoothly as possible. The content can also be quite different: literary fiction tends to be less plot-driven and more focused on character, for instance. Commercial fiction tends to sell much better, though some literary authors like Margaret Atwood and Ian McEwan sell a lot of books, too. Tip: As Harvey Chapman from Novel Writing Help puts it, â€Å"Literary novels generally sell in smaller quantities than genre or mainstream novels. This means publishers are less likely to take a gamble on them, but you shouldn’t let that put you off writing them. Always write the type of book that you want to write.† Factual vs Opinionated Another way to look at style is to think about the type of statements being made. Are they facts, or opinions? (Generally, a writer focused on facts will be more dispassionate and one focused on opinions will be more impassioned in their language – though there are exceptions.) News articles, for instance, tend to focus on facts – they may well be biased, of course, and the underlying political or social leanings of a publication can show through in the facts they choose to include or omit. Columnists in newspapers, however, are free to be much more opinionated – even, in some cases, potentially offensive. They can share their thoughts and ideas with little or no recourse to actual facts. Tip: As a writer and a reader, it’s important to be able to distinguish between facts and opinions. Facts are objective and can be proved (e.g. â€Å"water is denser than air†); opinions are subjective and two people might have two opposing opinions (e.g. â€Å"swimming is horrible† vs â€Å"swimming is wonderful†). If you’re trying to convince your reader of something – perhaps through a blog post or an article – then it’s fine to give strong opinions, but you should also aim to back up what you’re saying with specific facts. As a writer, you already have a natural writing style – though you may decide you want to develop or modify it. You might want to think about: How formal or informal do you want your writing to be? This might vary in different contexts – for instance, if you’re a freelancer, you might write for some publications that want a very chatty, laid-back style, and others that want a business-like style. Do you tend to be a concise or verbose writer? Perhaps you find that you naturally get your points across quickly and briefly – or maybe you like to dig deep into a topic and give lots of details. This could affect the type of writing you want to do (e.g. short stories vs novels, or blog posts vs books). If you write fiction, are you aiming at the commercial or literary end of the market? Don’t feel that you â€Å"should† do one or the other – focus on what appeals to you as a writer. If you’re unsure, you might want to try writing short stories in a variety of styles. Are there particular hallmarks of your style that you’ve already noted? For instance, perhaps you tend to use quite colourful language, or you love complex sentence structures. You might also want to look closely at the style of authors you enjoy: how exactly do they use words, phrases and sentences to create particular effects? Your writing style might take years to develop and a lifetime to perfect, though – so don’t put off writing until you’ve â€Å"found† your style. Keep working on different pieces and projects: in a year’s time, you might be able to look back and see that your style was developing all along. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Writing Basics category, check our popular posts, or choose a related post below:30 Religious Terms You Should Know7 Patterns of Sentence StructurePredicate Complements

The Epic of Gilgamesh and Hammurabi's Code Essay

The Epic of Gilgamesh and Hammurabi's Code - Essay Example Gilgamesh was going to the temple of Shamash to consult with the god before undertaking a major mission also shows the great influence religion had in Mesopotamia. In both of these texts, it can be noted that the sun – god Shamash, who was also the Mesopotamian god of justice, plays a major role in some of the major events which take place considering that he granted Hammurabi the laws and always gave guidance to Gilgamesh so that he would succeed in his missions (Hawkins, 277 – 278). The values of the ancient Sumerians seem to have been guided by their religion and many believed that they needed the authority of a god while doing anything important to ensure that their actions were a success. One would notice in these texts that the relationships between the people of this society in the ancient times were very close and that friendships had a higher value then than they have today. Friends tended to treat each other more like siblings than as people from different bac kgrounds and a good example of this is the relationship between Gilgamesh and Enkidu. Although Gilgamesh was the king of Uruk and Enkidu was wild man from the fields, these two strike a friendship that would be very unlikely in the current times. It can further be noted that the rulers of ancient Mesopotamia tended to place a very high value to their connection with the gods most likely in an attempt to justify their authority over their people. We note that Hammurabi claims to have been in direct communication with a god when he was given the laws, which would be imposed, on his people (Beaulieu, 11). Gilgamesh on the other hand is said to have been two-thirds god and one-third man and that his mother was the goddess Ninsun who is repeatedly seen to intercede on his behalf to the other gods.

American Revolution Essay Example | Topics and Well Written Essays - 1250 words - 2

American Revolution - Essay Example The British policies caused divisions in the American colonist’s faction since they did not know which step of action to take. The French and the British were the main forces in contention for the American territory and thus, fought a series of wars with the final war being the French and Indian wars or the seven years’ war. It was called the seven years’ war since the French hand garnered support of two Indian tribes, the Huron and the Algonquian, who fought against the British supporting Iroquois. Before this, however, it was assumed that the war would last longer than earlier anticipated and thus, the Albany Congress was organized under the encouragement of Britain. The main agenda for the congress was to keep the Iroquois tribe loyal to the British. This was achieved by keeping the Iroquois tribe at the heart of matters during the congress, discussing issues that affected both them and the British colonists. The Albany plan became unpopular and unaccepted sin ce the colonists had their self-interests at heart and did not want to secede control and power to the provincial congress(Alden, pp. 25-30). What were some of the events or ideas that led to the American war of independence? The main reason for the war of independence was the attempt by British colonists to gain and tighten control of the American economy by regulating American trade and industries in order to suit Britain’s interests. This was enforced in the imposition of taxes on goods and services as well as the movement of people and these goods from one region to another. Also, English trade and navigation acts only allowed transit of goods shipped from America in English ships. Britain, thus, monopolized travel which did not settle well with Indian and British colonists. All of this was aimed at reimbursement of Britain’s money that had been spent during the war. The only reason the British had emerged victorious was that their treasury had outlasted that of the French. This